CASE willsmith · replay of a real overcast run
Anatomy of an agent-driven video investigation
Everything below was extracted by the harness from a frozen 438-post corpus —
20,313 observations · 67 places · 9 motifs · 8 recurring people. Nothing is simulated.
Places NAMED — not where he was
—
named in on-screen text
named in speech
announced tour date
no “observed / verified” layer
philly12 text · 15 spoken
miami ⚠15 text · 7 spoken
france13 text · 1 announced
london10 text · 2 spoken · 1 announced
spain11 text · 1 spoken
gran canaria7 text · 4 spoken · 1 announced
switzerland8 text · 3 spoken
austria9 text · 1 announced
marbella9 text · 1 announced
italy9 text
paris8 text · 1 announced
germany9 text
united kingdom9 text
england8 text
monte carlo7 text · 1 announced
drammen7 text · 1 announced
Recurring on-screen motifs
first-seen → last-seen
WILL SMITH27 posts · 767 d · 3 lanes0 / 27
BAD BOYS21 posts · 370 d · 3 lanes0 / 21
RIDE OR DIE20 posts · 144 d · 3 lanes0 / 20
JUNE 712 posts · 144 d · 2 lanes0 / 12
BEL-AIR11 posts · 587 d · 3 lanes0 / 11
POLICE11 posts · 366 d · 3 lanes0 / 11
EXIT | مخرج10 posts · 815 d · 3 lanes0 / 10
adidas9 posts · 733 d · 3 lanes0 / 9
SONY8 posts · 78 d · 3 lanes0 / 8
Recurring people
4,684 gated faces · 0.55 → 0.72
SUBJECT
subject
0/167
BIG SEAN
identified
0/7
PERSON 149
anonymous
0/6
MARTIN LAWRENCE
identified
0/5
PERSON 87
= subject (variant)
0/25
PERSON 50
= subject (variant)
0/10
PERSON 28
= subject (variant)
0/10
PERSON 14
= subject (variant)
0/7
Observation stream
TT 0/257YT-S 0/139YT-L 0/42
Four accumulators, four evidence classes. A marker means the place was
NAMED in text or speech — never that the camera was there. Motif bars are presence windows in indexed
media. Amber/orange people are consistent clusters, not identities. Say “not observed”, never “absent”.
Notes & disclaimers
What each panel is and is not.
Map: 67 places with ≥2 pieces of text/speech evidence; markers accumulate and are never a route.
Stream: all 20,313 shot-level observations, real extracted OCR/speech/visual/audio content, not a summary.
Motifs: burned-in on-screen text — RIDE OR DIE and JUNE 7 share the same 144-day span, a promo
campaign measurable from text alone; “JUNE 7” is an on-screen claim, not a verified release date, and
“POLICE” is most likely franchise costume.
People: green = identified (two independent channels agree), amber = one consistent person whose
identity is NOT established, orange = the subject in profile or archival footage. Distinct people stay
anonymous: no held-out probe has been run.
This figure does NOT show travel, and the clock is a publication clock.
- NO "observed/verified" layer exists. Establishing the camera was AT a place needs a dedicated landmark pass; naive word-matching on visual descriptions produced 114 false hits for "orange" (the colour) and was discarded.
- On-screen text naming a place is not evidence of being there — Bad Boys is SET in Miami.
- A tour-date card announces a SCHEDULED date. Not presence.
- No GPS exists on TikTok or YouTube. Coordinates are from a hand-entered offline table.
- No routes drawn. Marker order is not travel.
- Absence means "not observed in indexed media".
- Every panel is keyed to PUBLICATION time (2023-07-30 → 2026-07-30), not to when anything was filmed. Archival footage published in 2026 lands in 2026.
- Cross-lane reuse edges are out of scope here (F05): 72 title-matched candidates, 1 proven.